Neyveli Santhanagopalan is a highly acclaimed senior Carnatic tradition musician who has made his impression throughout the world with his execution. He is a celebrated vocalist for his effectual execution of concerts formulate in a particular style of 'bhakti' and 'bhava'. This kind of execution magnetized the various audience groups. Through his rendering he raised music to the 'pedestal of divine life philosophy'. Thus however the connoisseurs have also been captured with his performances. From the leading music associations in India and overseas, Neyveli Santhanagopalan has received laurels as an acknowledgement of his talent. At the famed religious or spiritual centres, he has been coveted as the 'Asthana Vidwan'. Neyveli Santhanagopalan possesses a brilliant theoretical depth that after the amalgamation along with extensive research analysis of the best approaches resulted into bringing up an atmosphere that is aimed at the best music appreciation efforts. Neyveli Santhanagopalan has also bagged the honour of being a distinctive musicologist. He is proficient in both playing the veena and percussion instruments in 'laya' exposition with strengths. Neyveli Santhanagopalan was born to a culturally strong family where music has been worshiped. Mother, Smt. Jayalakshmi Ammal, has inducted him to the world of music. Then onwards he received his introductory training from reputed gurus like Chembai, Sri. C.S. Ananthamani and Srirangam. Neyveli Santhanagopalan in an extensive manner has researched on 'Nada Laya Yoga', which is a new maiden in exploring the therapeutic and curative effects of music. He also serves as the head person organizing the Arunagirinathar Festival at Vadapazhani Murugan Temple every year for spreading of Tirupugazh. In order to bridging the link between Carnatic music and Vedas he has also Conducted Veda Nada Mahostsava. Neyveli Santhanagopalan in association with Shree Krishna Sweets has also directed thematic music appreciation efforts. He has also conducted several lecture demonstration workshops in order to enhance music appreciation qualities for the 'rasikas'. He has always attempted to promote the concept of chamber music concerts, establishing a platform for apprehension of concentrated and pure Carnatic Music in its true form.